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But the love story between Fergus and Dil resonated I wondered what it felt like to have a man risk his life for you. I had never seen a trans character in my life and didn't even understand what the IRA was fighting for. When we walked into the art-house theater - one of those odd ones where you sat at tables and waiters brought you food - I knew Dil's "secret," but my father didn't. Nearly 25 years after its release, The Crying Game is no longer remembered for its "secret" but is instead known for its rich portrait of queer survival and determination.Īs a closeted teenager in Connecticut, I wanted to see anything I wasn't supposed to see - my brother snuck me into The Silence of the Lambs, I watched Thelma & Louise after my parents went to bed, and I begged my father (!) to take me to The Crying Game. In the end, Jordan refused to let Dil be passive - as the film drew to a close, she became a force to be reckoned with, and her actions propelled the film to its shocking climax. Jordan and Davidson planted Dil in reality as well the daily traumas of living as a trans woman in early-'90s London could be measured in the lounge singer's muted voice, tired eyes, and, at times, resigned attitude. The idea that men would risk their lives for a trans woman - and not abuse or mock her - was a twist in and of itself, and her happy ending was even more surprising. Portrayed with subtlety and grace by now-retired gay actor Jaye Davidson, Dil was a tragic figure but not a comical one, a revolutionary idea in 1992.
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While some complained that Dil's trans identity was a "gotcha" twist, she remained the heroine of the movie up until the final scene.
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Spoiler alert: That the central love story was between a cisgender straight man and a transgender woman only added to the complexities of the film. But writer-director Neil Jordan wasn't content with the usual fare - he crafted a potboiler firmly centered by a very human relationship and, in effect, made the stakes that much higher. This story of a rogue IRA operative trying to put his past behind him had enough action to stand on its own as a standard political thriller like Patriot Games or The Russia House. The Crying Game (directed by Neil Jordan, 1992)
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Here are the films - all part of the Metrograph series - that left a mark on us. Metrograph, the New York independent film house, is honoring the New Queer Cinema movement of the '90s with a month of screenings that includes Gia, Trick, Nowhere, Ma Vie en Rose, and The Adventures of Priscilla, Queen of the Desert. Filmmakers like Pedro Almodóvar, Todd Haynes, Rose Troche, Gus Van Sant, Gregg Araki, and Cheryl Dunye made work that endures, and many launched successful mainstream careers.
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From big-budget fare like The Birdcage, In & Out, and The Crying Game to small films that shook the establishment like Boys Don't Cry, Go Fish, and The Doom Generation, the stories of LGBT life were relatively easy to find in big-city art houses and small-town video stores (just make sure no one saw you with that copy of To Wong Foo or Billy's Hollywood Screen Kiss). In a decade that began with a Bush in office and closed not long after Matthew Shepard's death, it's still shocking how many high-quality queer films the 1990s produced.